Monthly blog archive

About operaman

Name

Stephen Llewellyn

Bio

Stephen Llewellyn worked with Portland Opera for nearly four years and still produces this blog on a weekly basis. You may see him manning the Portland Opera table at the Metropolitan Opera High Definition transmissions where he enjoys chatting with like-minded Saturday morning opera fans. Do stop by and say 'hello'. He has been a barrister in Hong Kong, a professional folk singer and classically-trained tenor. He makes a mean zabaglione, and cries easily and frequently at opera performances.

Opera and Other Links

The Rest is Noise - Alex Ross of the New Yorker

Sieglinda's Diaries

Parterre Box

Opera Chic

On an Overgrown Path

Norman Lebrecht

Metropolitan Opera

Jessica Duchen

Dramma per Musica

think denk

Anne Midgette

The Omniscient Mussel

Northwest Reverb

Là ci darem la mano

Turn to the Music

The Taruskin Challenge

CNY Cafe Momus

 

What I Am Reading

In Patagonia (Bruce Chatwin)

Memoirs (Da Ponte)

The Librettist of Venice (Bolt)

Ship Fever (Andrea Barrett)

Le Grand Meaulnes (Alain-Fournier)

Beethoven. Letters, Journals and Conversations

 

What I am listening to as I write this week's post...

Magnum Mysterium (Lauridsen)

Nixon in China (new recording)

Vanessa (Barber)

John Martyn

Leon Redbone Christmas Album

Christmas With The Yours (Elio)

Mozart Requiem (arr. for String Quartet)

Tosca (Callas)

Till Eulenspiegel (Strauss)

Bar Tender! Another Glass please...

Such was the popularity of the first video in our occasional series Front Row, Center that my chum Bob Kingston and I sat down on Saturday morning and talked about Philip Glass and Orphée. In order not to test you patience and attention span too much we divided our chat into three segments and I present them here for your delectation and edification. The music you hear under the credits is taken from a recording of the Orphée Suite for solo piano, arranged by Glass and transcribed and performed by Paul Barnes.

I apologise for the background noise being as intrusive as it is. Next time we will do it at a quieter time of day, okay?

Who actually attends a performance of a Philip Glass opera?

Why it really doesn't all sound the same - whatever people may have told you




New does not equal 'scary', it equals 'exciting'



And you know how very much I would appreciate hearing your thoughts on all of this.

If you check back here in a day or two I shall have another post for you with my usual bag of odds and ends. In the meantime be happy and productive.

Comments:

Operaman - Interesting and

Operaman -

Interesting and illuminating discussion!! Thanks so much. Portland audiences are lucky to have this resource, and I hope it will continue for the full season! Cheers.

Thank you, singdaw! Bob and

Thank you, singdaw! Bob and I are expecting to do one of these for each production this year and I hope you will keep coming back to see what is going on here.